Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Kesate taking the card oil painting


Kesate taking the card
mk206 1884 Oil on canvas 71.5x58.7cm
Painting ID::  49954 		Edgar Degas
Kesate taking the card
mk206 1884 Oil on canvas 71.5x58.7cm
   
   
     
Edgar Degas Helune in the sanctum oil painting


Helune in the sanctum
mk206 about 1886 Oil on canvas 161x120cm
Painting ID::  49955 		Edgar Degas
Helune in the sanctum
mk206 about 1886 Oil on canvas 161x120cm
   
   
     
Edgar Degas Laundryman oil painting


Laundryman
mk206 1874-1876 Oil on canvas 81.3x76.2cm
Painting ID::  49956 		Edgar Degas
Laundryman
mk206 1874-1876 Oil on canvas 81.3x76.2cm
   
   
     
Edgar Degas Ironing clothes works oil painting


Ironing clothes works
mk206 1884-1885 Oil on canvas 82.2x75.6cm
Painting ID::  49957 		Edgar Degas
Ironing clothes works
mk206 1884-1885 Oil on canvas 82.2x75.6cm
   
   
     
Edgar Degas Tub oil painting


Tub
mk206 1885-1886 Oil on tempera 69.9x69.9cm
Painting ID::  49958 		Edgar Degas
Tub
mk206 1885-1886 Oil on tempera 69.9x69.9cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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